ABOUT SAFARI ROOM
After packing up from Nebraska and moving to Nashville to attend Belmont University in 2013, Alec Koukol called on his friends, Emma Lambiase and Simon Knudtson, to embark on a new musical journey. Together, the trio recorded a three-song EP, composed of songs Koukol had written over prior years. The music was recorded under the band name, and quasi-pseudonym, Safari Room. The self-titled EP went unreleased until late 2016, then was reissued in 2018. Within that time, the band pursued other musical endeavors, not taking the Safari Room name to the Nashville stages quite yet.
In early 2018, the band went back into the studio to record the next big step for Safari Room with the intention to bring Safari Room to the public stage and make waves in the world of indie rock. Actual Feelings — EP was born. With new songs under the band’s belt, Safari Room (now a quartet with the addition of guitarist, Chris Collier), took to local stages and began to gain notoriety.
In July 2018, Safari Room released Actual Feelings — EP, and was praised for a sturdy first step into the Nashville indie scene:
“[Actual Feelings] runs the gamut of feelings many experience in times of introspection and growth. Koukol hopes the EP will serve as something of a blueprint for any and all experiencing their own crisis of confidence, in turn coming out on the other side as realized as he (and his Safari Room band-mates) has.” – Now/It’s Nashville
‘"Glass Box" from their debut EP represents loneliness and time passing, while "Vices" from the Actual Feelings EP goes happier and more cathartic with the theme of knowing where you need to be.” – The Deli Magazine
The release and reception of Actual Feelings — EP was inspiring and solidified Safari Room’s strong foothold in a rather busy music city. After that release, Safari Room continued to pound the pavement, playing shows around Nashville and quickly amassing a fanbase in their newfangled hometown. But they didn’t stop there.
Throughout Fall 2018, the band worked on recording music to serve as a follow-up to the first two EPs and a springboard into the next chapter of Safari Room. At this time, the seat at the drums was passed to Austin Drewry, bringing an excited new flair to the band. The updated lineup went on to release single, “Around the Bend” in November 2018 and “One Day Here” in February 2019. The latter became a focus of acclaim for the band’s unique sound:
“The trick with Safari Room is that if you’re one of those listeners that gives a song 30-seconds, and only 30-seconds, you’re going to miss out… Harmony highlights with soaring guitar beneath them give way to an unfurling of layers of round-robin vocals. There’s a deceptiveness to the Safari Room catalog of goods that should be approached with care. Judge too quickly and you’ll miss out on the best parts.” – We Own This Town
Both singles have landed the band in blogs and playlists all over the world, teasing a larger, bulk release that is currently in the works. These singles capture the raw and emotional spirit of Safari Room. Discussions of love and loss thread through the two singles. “Around the Bend” discusses the cyclical, ebb and flow of human interaction; finding ourselves at wits end with people we used to be close to, and wanting to return to better times.
Speaking to the deep content of “One Day Here,” Koukol was quoted by The Indie Folx Blog in February 2019: “Whether it's the loss of a close friend, relationship, or someone for good. In a flash, people in our lives can disappear, and it bewilders the mind on how to react… Our purpose is to dig into these deep times to help find answers and seek some semblance of comfort. We hope it can provide the same for our listeners.” The solemn and emotional content is a large characteristic of Safari Room’s music. As connection is one of the founding principles of the band, Koukol seeks to weave tricky mental patterns and hardships through soundscapes and head-bobbing grooves.
Spring 2019 held two more releases for Safari Room, both of which were live recordings. The band teamed up with local, Nashville arts collective OOKO STUDIOS. The group’s live, stripped-down sessions were in hopes of bringing the listener closer to the song and artist. Safari Room’s “Ooko Session (Live)” was released in April 2019.
“The EP serves as a nice glimpse into the live capacity of a band that has been putting out consistently slick studio releases for the past few years. Unsurprisingly, they manage to sound every bit as polished.” — We Own This Town
Following the OOKO Session Live — EP, Safari Room released a single that rang a little more true to the huge sound of the band's live show. Recorded with Nashville engineer Don Bates, “Thoughtful Introspection,” was released in June 2019. This live single marked the beginning of the next chapter of Safari Room, promising aggressive touring through the rest of the year and another larger release past that.
“It’s the end of the song with burgeoning vocals, backed by a transfixing guitar & drum riff, which launches Safari Room into a new dimension, pivoting the band away from soft indie pop to dynamic rock. “Thoughtful Introspection” joins the movement in defying the typical verse/chorus/bridge formula, further proving that a song doesn’t need a specific structure to be great.” – The Deeper Dig
The band began touring in 2019, showcasing the band’s artful prowess and slowly crafting what would be Safari Room’s first full-length album. Amidst touring, the band took time and space in studios across Nashville to craft their debut album ‘Look Me Up When You Get There.’
The debut album was released in July 2020. It was composed of songs written by Koukol over a handful of years, compiled as a major step for the band. For this record, the band self-produced a majority of the record and onboarded Nashville legend, Paul Moak, to co-produce the remainder. With singles like “One Day Here” and “Young Water,” Safari room’s debut album has proven to be a feat of emotional and musical marriage; cataloging isolation, loneliness, grief and anxiety. As the band continues to seek connection through music, fans and listeners are drawn in by the “emotional open door” Safari Room sets forth.
When touring became feasible again mid-pandemic, the band took to the road and embarked on a self-booked, 28-date ‘Look Me Up When You Get There’ tour. The band played as far North as New York City, as West as Omaha, NE and as far South as Savannah, GA. Continuing to be a -- first and foremost -- live band, Safari Room continued to win over rooms across the US with emotive and powerful performances. The band showcased the depth of the debut record while sprinkling in new material yet to be released…
Safari Room spent the first six months of 2021 in the studio crafting the band’s sophomore album, ‘Complex House Plants.’ Working with local producer and friend, Cole Yepsen, the band continued to hone the unique and dynamic sound of Safari Room’s future. Alec, Austin and Chris hunkered down at Schematic Studios just north of town and crafted the album. Masked, tested and COVID-cautious, ‘Complex House Plants’ the team completed ‘Complex House Plants,’ that was released on May 13th, 2022. The album features songs like “Small Victories,” “It Just Takes Time,” “IKWYT,” “Garden Talker” and “Speak Slower.” Each song expands the sound of Safari Room in new territories. If the first album was the introduction, ‘Complex House Plants’ was the flag planted in the ground in the grand hall.
Safari Room’s chamber pop indie rock isn’t far off from String Machine or early Arcade Fire. The band’s second studio LP Complex House Plants has slightly more emphasis on structure and melody than those bands, perhaps–the groovy “Violet” has a hook that wouldn’t feel out of place on the radio following a Black Keys single, and “IKWYT” blends saxophone with slick, dancey post-punk. While much of the record might be fairly downbeat, there’s enough bombast for fans of all sorts of indie music. It’s a dense LP, to be sure, but not one as challenging as that word usually suggests; it all goes down very, very easily.
– The Alternative
As COVID restrictions softened in 2022, the band continue to tour heavily, promoting the two albums that sort of bookmarked a really difficult time in the world. Soon after the release and completion of ‘Complex House Plants,’ Koukol and Yepsen began work on what would come next. Rather than renting space in one of Nashville’s many studio offerings, the goal was to see what kind of sounds and vibes could be curated at home. The entirety of the the next album would be recorded, tracked and produced at Koukol and Drewry’s homes. This was an experiment and test of mettle for all members and players on the record.
Koukol and Yepsen spent the better part of late 2022 through mid 2023 crafting what would become Safari Room’s third full-length offering entitled “Time Devours All Things.” The album was slowly released through late 2023 and then fully released on February 24th, 2024. This album contained even more sonic flexibly and expansion than the prior two records, building on the established emotion and energy of all the music that came before this third album.
If you’re not familiar with the work of Omaha-born and Nashville-based musician Alec Koukol, you’ve got time to rectify that before he puts out something more substantial. His third album as Safari Room is in the works, billed as a sonically expansive update on the sounds established on its predecessors. In particular, last year’s sophomore record Complex House Plants proved the project had legs after Look Me Up When You Get There was released four months into the pandemic.
– Gareth O’Malley for Flood Magazine
‘Time Devours All Things’ is an expression of the inevitable change we all experience through life. No matter if it’s good or bad, all things come to an end eventually. Relationships, life, careers, moments and experiences; it all ends. But rather than it being a completely bleak outlook, their is beauty behind the message. If all good things end, so must the terrible. It’s a way to look past the tougher experiences in life and knowing they are fleeting and shall also pass. ‘Time Devours All Things’ is about picking yourself up during times of struggle, knowing your internal strength and self-love, and soldiering on. Songs like “The Great Outdoors,” “Blunderbuss,” “You Are a Ghost” and “The King” showcase a whole new level of maturity in Koukol’s songwriting and producing chops.
Time Devours All Things, the third LP from Safari Room, is a latticework with fringes of 2000s alt-rock acts woven with the band’s distinct personal lyrics and history… A search for answers punctuated by that ever-present memento mori whisper, Time Devours All Things is grand in concept yet humble in its delivery. Through its course and narrative, the album’s subtext of dimensionality, of forward, back, here, now, the unfixable metric of time as a place, with nostalgia as a ghostly mile marker where we rest and look back on our lives while trying to process the now, offers us a faint glimpse past the familiar into oblivion.
– Elias Amini for Swim Into the Sound
Hand in hand with Yepsen, Koukol showcases a small pivot in sound and personnel, moving to a more solo-project or moniker-based image. Safari Room had always been a collective in some ways, but it was Koukol’s braintrust from day one. Chris Collier and Austin Drewry lent their skills and colors to ‘Time Devours All Things’ but the predominant instrumentalist was Koukol all over the album. This change in production and recording process paved a new workflow for the next release and music after that.